Voodoo Vibes

Title: Co-Exist. Artist: Unknown. Image Size: 12.88in. x 4.40in. Paper Size: 24.00in. x 36.00in. Art Poster PRINTWe have an unparalleled selection of both vintage and modern prints, posters, art prints, photographs and framed imagery. Our selections are ideal for both the office and home and we have over 400,000 images available for search or browsing. Your print is presented on premium, high grade paper and all framed selections are custom made to order. Orders are shipped to both domestic (US) and international locations. Decorate in style with our selection of modern or historic imagery.

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This adaptation of Marion Zimmer Bradley's sprawling and perennially popular book, whose retelling of the Arthurian legends focused on the role of powerful females, compresses a wealth of mysticism, family intrigue, and bloody swordplay into three hours. While the plot can meander slowly and can sometimes seem, well, mystifying, the work of three notable actresses holds the production together, and the numerous complications do eventually get resolved. As Viviane, the Lady of the Lake, Anjelica Huston endeavors to perpetuate the old religion as pagan Britain comes into contact with Christianity. The scheming Morgause, played to evil perfection by Joan Allen, conspires to her own ends. And Avalon priestess Morgaine, played by Julianna Margulies, travels the heroine's journey, overcoming tragedies, injustice, and all manner of obstacles in her duty to both "the goddess" and her younger brother, King Arthur. Although the action lags at times, the production is quite lavish for a made-for-television feature and the film is ultimately entertaining. --Robert J. McNamara

The king is dead long live the king but who will it be? the answer is found on the battlefields and in the mystical and powerful manipulations of fate emanating from the women of the legendary isle of avalon in this intrigue-filled retelling of the king arthur/camelot legend. Studio: Turner Hm Entertainm Release Date: 09/07/2004 Starring: Anjelica Huston Joan Allen Run time: 180 minutes Rating: Nr

EXORCIST-BEGINNING (2004/DVD/WS 2.35/DS 5.1/ENG-FR

"This movie is cursed!" exclaimed movie-magazine headlines regarding Exorcist: The Beginning, but those dire warnings turned out to be exaggerated. Considering a tumultuous production history that actually did seem cursed, Renny Harlin's much-maligned prequel to The Exorcist is a surprisingly competent, serious-minded shocker filled with the same anxious foreboding that made the 1973 original so phenomenally effective. The story lacks focus and feels cobbled together (perhaps the result of its tortured development, which included the untimely death of original director John Frankenheimer), but Stellan Skarsgård is well-cast as Father (now Mr.) Merrin, a lapsed Catholic priest summoned to East Africa in 1949 to retrieve a demonic idol. He discovers a buried church, a vast underground cavern, demonic possession, and a legacy of carnage that preys upon guilt-ridden memories from his parish in Nazi-occupied Holland. Harlin delivers the gross-out moments that Warner Brothers demanded, but otherwise shows remarkable restraint while cinematographer Vittorio Storaro delivers doom-laden visual atmosphere. It's not the classic many were hoping for--not even close--but it's still a win-win scenario for horror fans, since it's rumored the unreleased and "abandoned" version directed by Paul Schrader will be paired with this film for its DVD release. Comparisons will no doubt prove interesting. --Jeff Shannon

Peter Kreeft believes that Blaise Pascal is the first post-medieval apologist. No writer in history, claims Kreeft, is a more effective Christian apologist and evangelist to today's uprooted, confused, secularized pagans (inside and outside the Church) than Pascal. He was a brilliant man--a great scientist who did major work in physics and mathematics, as well as an inventor--whom Kreeft thinks was three centuries ahead of his time. His apologetics found in his Pensées are ideal for the modern, sophisticated skeptic. Kreeft has selected the parts of Pascal's Pensées which best respond to the needs of modern man, and offers his own comments on applying Pascal's wisdom to today's problems. Addressed to modern skeptics and unbelievers, as well as to modern Christians for apologetics and self-examination, Pascal and Kreeft combine to provide a powerful witness to Christian truth.

Reveals how Christian mythology of the Middle Ages had more to do with paganism than the Bible• Identifies pagan deities that were incorporated into each of the saints • Shows how all the major holidays on the Christian calendar are modeled on long-standing pagan traditionsThis extensive study of the Christian mythology that animated medieval Europe shows that this mythology is primarily of pagan inspiration and that very little of it comes from the Bible. The fact that Christianity grafted itself onto earlier pagan worship was no mystery to the Church Fathers, Philippe Walter explains. Pagan elements were incorporated into the Christian faith on the advice of Pope Gregory the Great, who told Saint Augustine of Canterbury that rather than tear down the pagan temples in Britain, he should instead add the pagan rituals into the mix of Christian practices, thus providing an easy transition to the new religion. It was simply a matter of convincing the populace to slightly redirect their focus to include Jesus.In this highly documented work Walter shows which major calendar days of the Christian year are founded on pagan rituals and myths, including the high holidays of Easter and Christmas, a time when many pagans prepared for the coming of spirits who would leave gifts for those who honored their coming. Indeed, the identities of saints and pagan figures were so intermingled that some saints were even transformed into pagan incarnations. Mary Magdalene, for instance, became one of the ladies of the lake of Celtic legend. He also explores how the hagiographic accounts of the saints in the scriptures reveal the origin of these symbolic figures to be the deities worshiped in pagan Europe for centuries.

In this book, MacMullen investigates the transition from paganism to Christianity between the fourth and eighth centuries. He reassesses the triumph of Christianity, contending that it was neither tidy nor quick, and he shows that the two religious systems were both vital during an interactive period that lasted far longer than historians have previously believed.