Voodoo Vibes

Title: Co-Exist. Artist: Unknown. Image Size: 12.88in. x 4.40in. Paper Size: 24.00in. x 36.00in. Beautiful MUSEUM WRAP CANVAS Print with Added BRUSHSTROKESWe have an unparalleled selection of both vintage and modern prints, posters, art prints, photographs and framed imagery. Orders are shipped to both domestic (US) and international locations. The Canvas Transfer ProcessProducing a canvas transfer is an intensely detailed process, which begins with an art print (ink on paper). Special chemicals are applied which, when dried, form a film that is meticulously separated from the paper and permanently embedded onto a high quality artist canvas. The canvas is then carefully stretched and wrapped around a sturdy, custom-cut inner support frame, called a "stretcher bar". Added brushstrokes are also carefully painted on to the canvas.Ready to Hang "Museum Wrap"Canvas is wrapped around the stretcher bars and stapled on the back. White canvas will show on the sides and no part of the image is lost during this wrapping process. The stretcher bar on the back of the canvas has a saw-tooth hanger, making it ready to hang on your wall. The canvas texture and non-reflective nature of a canvas transfer allows you to hang them under any lighting conditions. Differing from traditional paper art prints, a canvas transfer has a lifespan as long as any original painting or work of art. They can easily be dusted and cleaned with a damp cloth, giving years of use and enjoyment.Easily FramedSince there is no need to cover a canvas transfer with glass or to even mat these items, having your canvas transfer framed is easy and cost effective.

Retells the legend of King Arthur as perceived by the women central to the tale, from the zealous Morgaine, sworn to uphold her goddess at any cost, to the devout Gwenwyfar, pledged to the king but drawn to another.Genre: Feature Film-DramaRating: UNRelease Date: 7-SEP-2004Media Type: DVD

This adaptation of Marion Zimmer Bradley's sprawling and perennially popular book, whose retelling of the Arthurian legends focused on the role of powerful females, compresses a wealth of mysticism, family intrigue, and bloody swordplay into three hours. While the plot can meander slowly and can sometimes seem, well, mystifying, the work of three notable actresses holds the production together, and the numerous complications do eventually get resolved. As Viviane, the Lady of the Lake, Anjelica Huston endeavors to perpetuate the old religion as pagan Britain comes into contact with Christianity. The scheming Morgause, played to evil perfection by Joan Allen, conspires to her own ends. And Avalon priestess Morgaine, played by Julianna Margulies, travels the heroine's journey, overcoming tragedies, injustice, and all manner of obstacles in her duty to both "the goddess" and her younger brother, King Arthur. Although the action lags at times, the production is quite lavish for a made-for-television feature and the film is ultimately entertaining. --Robert J. McNamara

THIS TRACES THE STORY OF FATHER MERRIN BACK TO HIS FIRSTENCOUNTER WITH THE DEVIL DURING HIS MISSIONARY WORK IN AFRICA.

"This movie is cursed!" exclaimed movie-magazine headlines regarding Exorcist: The Beginning, but those dire warnings turned out to be exaggerated. Considering a tumultuous production history that actually did seem cursed, Renny Harlin's much-maligned prequel to The Exorcist is a surprisingly competent, serious-minded shocker filled with the same anxious foreboding that made the 1973 original so phenomenally effective. The story lacks focus and feels cobbled together (perhaps the result of its tortured development, which included the untimely death of original director John Frankenheimer), but Stellan Skarsgård is well-cast as Father (now Mr.) Merrin, a lapsed Catholic priest summoned to East Africa in 1949 to retrieve a demonic idol. He discovers a buried church, a vast underground cavern, demonic possession, and a legacy of carnage that preys upon guilt-ridden memories from his parish in Nazi-occupied Holland. Harlin delivers the gross-out moments that Warner Brothers demanded, but otherwise shows remarkable restraint while cinematographer Vittorio Storaro delivers doom-laden visual atmosphere. It's not the classic many were hoping for--not even close--but it's still a win-win scenario for horror fans, since it's rumored the unreleased and "abandoned" version directed by Paul Schrader will be paired with this film for its DVD release. Comparisons will no doubt prove interesting. --Jeff Shannon

"Welcome to Nero's House of Women" greets a concubine to a slave girl, Lygia (Deborah Kerr). Later this self-same greeter reveals that she, too, like Lygia, is really a fellow Christian neophyte. And it's that mixture of tawdry Hollywood sex and a strong Christian message that makes this film an enjoyable "gentiles and gladiators" flick. Marcus Vinicius returns home after conquering the Britons to find that Rome is infected with a crazy new sect called Christians and that his beloved emperor Nero (Peter Ustinov, roly-poly and wicked) has become increasingly wacky. Marcus tries his centurion wiles on Lygia, and she's smitten, but she's also a Christian convert and begs Marcus not to force her to choose between him and her god. The Christians have a tough go of it, with martyrdom in the Coliseum as punishment for belonging to the new religion in town. Though three hours long, director Mervyn LeRoy's film always has something going on. It could help you enjoyably kill any rainy Sunday afternoon. --Keith Simanton

NTSC/Region 0. Starring, Mervyn LeRoy, Robert Taylor, Deborah Kerr, and Leo Genn. Castaways. 2007.

Peter Kreeft believes that Blaise Pascal is the first post-medieval apologist. No writer in history, claims Kreeft, is a more effective Christian apologist and evangelist to today's uprooted, confused, secularized pagans (inside and outside the Church) than Pascal. He was a brilliant man--a great scientist who did major work in physics and mathematics, as well as an inventor--whom Kreeft thinks was three centuries ahead of his time. His apologetics found in his Pensées are ideal for the modern, sophisticated skeptic. Kreeft has selected the parts of Pascal's Pensées which best respond to the needs of modern man, and offers his own comments on applying Pascal's wisdom to today's problems. Addressed to modern skeptics and unbelievers, as well as to modern Christians for apologetics and self-examination, Pascal and Kreeft combine to provide a powerful witness to Christian truth.

A unique mix of memoir and how-to that includes practical daily Pagan rituals, this inspiring book shows how one woman blended Christian traditions with the magic and beauty of a Wiccan practice. Raised in the Catholic faith, yet strongly drawn to Paganism, Adelina St. Clair spent many years questioning and soul-searching before she found a way to blend aspects of Wicca and Christianity into a vibrant and loving belief system. Filled with personal anecdotes, this book tells the story of St. Clair's journey of self-discovery and revelation, from her initial fear and guilt to her ultimate sense of peace and joy. With warmth and heartfelt reverence, St. Clair discusses vital aspects of Witchcraft and Christianity, as well as the commonalities between the two. — Monotheism vs. polytheism— Magical practice— The teachings of Christ— Goddess worship— The femininity of God— The Wheel of the Year— Praying the rosary— Sacred space

The question of Christianity’s relation to the other religions of the world is more pertinent and difficult today than ever before. While Christianity’s historical failure to appreciate or actively engage Judaism is notorious, Christianity’s even more shoddy record with respect to “pagan” religions is less understood. Christians have inherited a virtually unanimous theological tradition that thinks of paganism in terms of demonic possession, and of Christian missions as a rescue operation that saves pagans from inherently evil practices.  In undertaking this fresh inquiry into early Christianity and Greco-Roman paganism, Luke Timothy Johnson begins with a broad definition of religion as a way of life organized around convictions and experiences concerning ultimate power. In the tradition of William James’s Variety of Religious Experience, he identifies four distinct ways of being religious: religion as participation in benefits, as moral transformation, as transcending the world, and as stabilizing the world. Using these criteria as the basis for his exploration of Christianity and paganism, Johnson finds multiple points of similarity in religious sensibility.   Christianity’s failure to adequately come to grips with its first pagan neighbors, Johnson asserts, inhibits any effort to engage positively with adherents of various world religions.  This thoughtful and passionate study should help break down the walls between Christianity and other religious traditions.  (20090914)